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Many of us have been haunted. We have watched with wide eyes as bowls burst into splinters on our countertops, broken by no force we could discern. We’ve trembled as footfalls pounded the stairwell in the empty apartment adjacent to our own, though no one has been there in weeks. We’ve crept toward bolted windows from which no draft could escape simply to stop a feather-light curtain from fluttering, though no wind and no heat moves through the space. We’ve closed up our closets to keep the shadows from spilling out into our children’s rooms, and we’ve left the nightlight on though darkness still clings link spider silk to the corners of a room no matter how much light tries to chase it away.

Shades and specters, orbs, poltergeists, white ladies, and spirits; these beings have haunted us since humans have known about death. And even then, those first horror stories must have been no more than cave men plucking up charred sticks to scribble the terror of their own shadows against cave walls so long ago.

And after them, others came. Shakespeare gave us Hamlet’s father and a charge of vengeance cold as steel. Henry James gave us possessed children turning like screws to the twist of two dead lovers. And then the very real Fox sisters came knocking at our tables, and soon after ectoplasm was born. Even Arthur Conan Doyle sought after the murky substance, as ardent a believer as we.

Then, soon after, ghosts were really busted, and it was a long time before believers crept out of the sunlight and back into their shadowy attics, armed with orb-sensing cameras and sensitive voice recorders looking for the proof to support what they already knew.

Now, again, we see dead people.

We are the ones who still believe. In our periphery, we see them dancing darkly in moon beams, flickering like ghouls in the candlelight, and braying like witches to the wind that flutters the branches in the trees. We turn to look, but the specters sway just out of our line of vision, always behind us like our own shadows.

Sometimes we feel them brush against our cheek while we sleep. Cold, clammy palms weep against our shoulders before we turn with a start. A chill sweeps over us.

Sometimes we are fortunate enough to catch a glimpse. The white lady on the stairs raising her willowy arm to point at you. The poltergeist who scrambles under your bed when you flick on the light. The banshees howling like a windstorm at the front gate.

And when we see them, we know. Something wicked this way comes.

Danger lurks beyond, riddled in these stories. Ghosts and specters will haunt you if you turn the page. They are there, just beyond your vision. Rapping. Creeping. Waiting.

Don’t look now.

(FOREWORD BY ARAMINTA STAR MATTHEWS)

CONTENTS

Ashland (TOM WORTMAN)

Penny Pinchers (E. K. COUGHLIN)

The Scratch (CODY R. LANGILLE)

Mommy (C. W. LaSART)

A Dream for Sugar (BRUCE MEMBLATT)

Red Route (JAMES EVERINGTON)

House of Horrors (LORI MICHELLE)

The Hold of Broken Things (MORGEN KNIGHT)

Graven Image (J. B. WILLIAMS)

Entangled Souls (BENJAMIN MORE)

Gallery Three (GERALD VINCENT)

Echo (MAX BOOTH III)

38 Jars (RICHARD J. O’BRIEN)

The Tunnel (JOHN HUNT)

Open ‘Til Midnight (J. A. EASTIN)

Immortal Longings (CHRISTOPHER LEPPEK and EMANUEL ISLER)

 

 


 

 

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